For those few titles you can’t find it on Prime- Bletchley Circle, The Great British Baking Show, Happy Valley-Netflix has often picked up the slack. Now, if you’re a fan of PBS who also has an Amazon Prime account, you’re reading this thinking, “Prime Video already has just about everything PBS has ever aired-why in the world would I pay for what would basically amount to a duplicate subscription fee?” And sure, fair point: Like everything else in the present moment, Amazon has cornered the market on most things PBS. You want to finally, finally binge Downton Abbey, now that any random fan you meet on the street is unlikely to accost you for being behind the zeitgeist? Passport has your back! You want to zone out to Nature while you gather your strength for another day of fighting for a more just society? Passport’s on it. You want to catch up on all those critically acclaimed period piece mini-series that came and went before you found time to watch them? Passport’s got you. It’s just, all the channels surrounding PBS are so loud and shiny and demanding, and the muscle memory of clicking over to all the content-flush streamers on my Roku so strong, that even broadcasting over three channels, PBS can hardly get a thoughtful word in edgewise-and that’s not even taking mobile watching into consideration.Įnter Passport, PBS’ very own subscription streaming platform service, which makes it as easy to access tens of thousands of hours of PBS programming on any smart TV, computer or mobile device as it is to queue up the next season of whatever severely underlit Marvel show. ![]() Not just because Masterpiece consistently mounts the most soothing period fare (and Masterpiece Mystery, the best reason to fondly remember Edward Gorey), or because Ken Burns is always dependable for a good dozen hours of cultural and historical edification, or because The Great British Baking Show has become the one show you can for sure turn on with any family member, at any time, for something safe to marvel over, but because media funded by the public and beholden to no commercial-or worse, secret-interests is desperately necessary for our democracy to survive. (Hello, WETA, WMPT, and WHUT!) Plus, I really like PBS. It is doubly ludicrous when you consider that the metro region I live in is served by not one, not two, but three PBS stations. This is ludicrous, as I am a person whose four years at her liberal arts college were spent studying Russian and French literature and who now writes professionally about television PBS should be my siren song. “We want the viewers to leave the cinema like they’ve just stepped off a roller-coaster.I have a confession: I rarely remember, when turning on the television, that PBS is an option. Dark at times, strong changes of pace, it will be a visual assault too, stylistically striking, contemporary and challenging,” said Dugdale, who has directed documentaries and concert films for artists including, Adele, The Rolling Stones, Coldplay, Ed Sheehan, The Prodigy and Paul McCartney. Production is expected to start this Spring. Pulse Films’ Thomas Benski, Marisa Clifford and Sam Bridger will produce alongside Howlett, Maxim and band co-manager John Fairs in the role of executive producer. This film will be made with the same integrity that our music: uncompromising, raw and honest. “Or simply, a story of brothers on a mission to make noise, to ignite the people’s soul and blow-up sound systems worldwide, that’s fucking what. “It’s a story of the chaotic and troubled journey of our gang, our band, the people’s band, The Prodigy,” they added. “After the devastating passing of our brother Keef in 2019, the time feels right for us to tell the story of our band, all of it, the whole nine,” the two said. Howlett and Maxim said that the film - which will combine archive footage, animation and first-hand testimonies - was dedicated to their late friend. ![]() Success, international fame, fortune, addiction, fighting and chaos would almost tear the band apart, but The Prodigy stayed together and continued writing music and touring until the tragic death of their iconic wild-haired frontman Keith Flint in 2019. Singles such as “Firestarter” and “Breathe” - taken from their third album, 1997’s The Fat of the Land, which hit the top spot in the Billboard 200 - would help push them into the mainstream and give them a huge global audience. The Prodigy would become one of the biggest British bands of the 1990s, selling an estimated 30 million records worldwide. China Box Office: 'Spider-Man: Across The Spider-Verse' Opens to So-So $17.2M
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